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Frieze Academy Art & Architecture Conference 2018 transforming architecture projects for art
2018-11-01 09:00:29 centre pompidou
Richard Rogers and Renzo Piano

zipup house(s)

from the social end
piazza a big horizontal (public?) space

6 floors aka piazzas of the size of two 2football fields each
no mainentrance a open public space

how to currate the open space
which every curator wants, without columns,
but hardly knows how to handle

art building as social catalysts - game changers? gentrification?

----------------------
Andrea Zittel

A-Z East Project, NY
Personal presentation room
performance - happening . do it like, perform a task, not for audience
rooms without designated functions

personal art and life integrated
living units - kind of expendal moveable architectur,
that you can put into other architecture

rules, protocol, parameters as social bounderies, architecture.

wagon stations encampment
minimal size - maximized compford
minimal living ... minimal housing
how much we atually need? Less is enough.
Less is more . First an aesthetic concept - now value system of none fetishism
of posession

expermental living cabins.
Institute of Investigative Living

from small growing big internet aloowing it because you have an audience
but also growing to big (to fast?) ends in being disable

it's fun to build systems that really work
((
the question of open frames -
le corbousie - citrone houses -
and filled frames -
overfulfillment and reconstruction -
reframing
))
models of productions
economic model of sustainability
selfsufishened models

---------------------
Ellen van Lou

---
Lafayette

mutant stage
3 2 floors (one lage one small each stage)
tention in spacecial expierence
low and high floors/ceilings

roofs of paris ...
---
Foudation Prada

gold building works like the gold wall, no wonder
use of mirrors
the face of the audience is also the face of the performers
use old buildings - show what we added
---
The Factory
Manchester

old brick buildings and just shet
privately owned river

fixed and flexible
theater and warehouse aka performance box
size of a jumbo jet.

...

A building as a performance?!
get connect to the surounding context
"we mke art to fit into society"
"as public as possible anyone can enter it at anytime"

-----------------------

Christopher Kulendran Thomas

Structures of power

affordable houses

why todays housing won't work for tommorows needs.
The way we work changes (freelance) this changes the interpretation of ownership
an ecconomic questions
work shifts, living, mobility
hotels (airbnb) expensive, friends hassel, rent inflexbile contracts

share ecconomic - blockchain tech etc. - [...]
citizenship beyond borders

housing as a service? Performance housing?
see it as a physical social network...(has always been at anytime)

new-eelam.com

cloud towns/cities/...
cloud housing -
((
sky cities - zilkowsky and russion revolution
))

...

the idea of disruption - the critical distance in/of art
(un)link society

seeds | implementation in conflict

engeneering vs archicture? not an conflict. Eifel ... Paris
social archicture - non productive work? Is a challange

trump or how we survive earthquake and tsumanies?

---------------------

Working with galleries and curators

balance, between the object, their observer and the space.
artist and curators.

Simplicity - artist as clients. Clean lean rooms.

Working on temporary spaces.
Build in 6 Week and demolished in a day.

experimentation and materiality

retail is good place to do this

Kettle's yard
continious between renewer, new and old

St Ives(Patrick Heron, Babara Hepworth, R.Nicholson, Naum Gabo)

the structure of gallerie should be adaptive, flexible.
Outside inside conversation - tate and town, as the tate is far the largest building in the city.

National Portrait Gallery - it is about people.

-----------------------

International culture, Japan and national identity - japanize any external influence
US (LA) as an international open space - nationalism.
Clearity food, constain of thought - unlike thai food which is social mixture of different flavours
like sweet and sauer. Every brings something.
Heritage and culture

how museums graw - like a toad they just take one breath of air after another and try to pump up themself as big as posiible
like a frankenstein cereature - start with one hand wing or body and grow over time by another sponser and another foiundation,
each bring their own architect. Why not like a accupuncture? With one vision of clearity?

-----------------------

Shigeru Ban
Works and Humanitarian Activities

Where is the giraffe?

It is all paper
Very impressing ...
I was listening, watching, no time for writing





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